Specimen 03 / 04EMBER

A study of angular geometry, saturated glass and tension.

Wide rectangular monolith, sharply chamfered corners, translucent burnt-vermilion glass and an inset vertical front panel. Compact dark brushed-copper geometric block.

EMBER: Wide rectangular monolith, sharply chamfered corners, translucent burnt-vermilion glass and an inset vertical front panel.
Fig. 03 / EMBER

03 / EMBERAt a glance

Silhouette

Wide rectangular monolith, sharply chamfered corners, translucent burnt-vermilion glass and an inset vertical front panel.

Cap

Compact dark brushed-copper geometric block.

Character

Bold, architectural, intense and sharply contrasted.

  • EMBER
  • Angular geometry
  • Bold, architectural, intense and sharply contrasted
  • Compact dark brushed-copper geometric block

01 / Form

  • A wide rectangular monolith. The body is cut, not shaped, and it stands as a single block.

EMBER, annotated: Architectural rectangular body, Sharp bevelled edges, Geometric copper cap
Detail 01 / 03Architectural rectangular body

02 / Material

Burnt-vermilion glass, hard bevels and brushed copper. The contrast is the material.

Translucent burnt-vermilion glass, near black at its centre and glowing at the edges.

Inspecting 01 / 03

EMBER macro: Vermilion glass, Bevelled edges, Brushed copper
Fig. 03.2 / MacroVermilion glass

03 / Field

Oxblood architectural surfaces, geometric shadows and strong warm contrast.

EMBER in its environment. Oxblood architectural surfaces, geometric shadows and strong warm contrast.
Fig. 03 / Oxblood planes, geometric shadow

04 / The collection

Four objects.
Four worlds.

Four glass objects, each with its own shape, colour and mood. Tap one and the whole page changes around it: photos, film, colours and details.

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A set of four conceptual glass objects, Vessel, Current, Ember and Veil. Each has its own silhouette, glass colour, cap and mood, shown through photography and short films.

Object 03 / EMBER

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